It was as if Sante had opened a series of dark hallway doors and been confronted, suddenly, by so many terrible rooms. The book pushes us to look at life in a distinctly different and uncompromisingly individual way. That may make an audience uncomfortable, but it is a function of real art.
The Washington Post

Even as they present “a true record of the texture and grain” of New York, the photographs and Sante’s essays celebrate its intangibility…. Sante is up to something closer to poetry than history. Thanks to his empathic, luminous prose, these images offer us the shock of self-recognition.
The Boston Phoenix

Sante has a talent for the striking, impressionistic insight and the ability to write transcendental prose. This is a book about the mysteries of life and death.
New York Times Book Review

This slim volume contains a haunting collection of 55 black-and-white crime scene photographs made primarily between 1914 and 1918 by New York City police detectives investigating murders and suicides. Sante discovered this archive while researching Low Life, his history of the seamy side of old New York; he notes that these pictures survived when they were overlooked by workers who cleared out the former Police Headquarters in the mid-1980s by dumping most of the records into the East River. While Sante diligently attempts to resurrect the stories behind these images, readers learn less about what happened than about where it happened: about the bedrooms, hallways, railroad tracks, subway stations, cellars and barrooms of New York City 75 years ago.
Publisher’s Weekly

While doing research for his highly acclaimed first book, Low Life, Sante was given access to the New York City Police Department Archives. There he discovered some 1400 photos and glass plate negatives dating from 1914 to 1918. This was all that remained of the department’s once-vast evidence photo files; the rest had been trashed. Taken from the files, these 55 raw, stark photos of the dead–victims of murder or suicides–are both fascinating and horrifying, showing the bodies as they were found by the police in tenement rooms or in vacant lots. The images are accompanied by the author’s comments and some excerpts from original newspaper reports of the events. In all, this is a striking and highly original piece of social history. Recommended for large and specialized collections.
Library Journal